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Habitat: Lina Bo Bardi
Lina Bo Bardi is regarded as one of the most important architects in Brazilās history. Beginning her career as a modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of World War II. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed āCasa de Vidroā (āGlass Houseā), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de SĆ£o Paulo (SĆ£o Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.
Lina Bo Bardi is regarded as one of the most important architects in Brazilās history. Beginning her career as a modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of World War II. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed āCasa de Vidroā (āGlass Houseā), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de SĆ£o Paulo (SĆ£o Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.
$29.98
Habitat: Lina Bo Bardiā
$29.98
Description
Lina Bo Bardi is regarded as one of the most important architects in Brazilās history. Beginning her career as a modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of World War II. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed āCasa de Vidroā (āGlass Houseā), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de SĆ£o Paulo (SĆ£o Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.
ThisĀ catalog presents a comprehensive record of Bo Bardiās overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardiās life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creatorās projects.
352 pages with 398 color illustrations,Ā DelMonico Booksā¢Prestel.



















